{"title":"Noise","description":"","products":[{"product_id":"buchla-model-266t-source-of-uncertainty","title":"Buchla Model 266t Source Of Uncertainty","description":"TipTop Audio has teamed up with Buchla to revive Don Buchla’s classic 200 series modules, converting them into Eurorack format.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Buchla Model 266t provides a general source of musical unpredictability\u003cp\u003e\u003c\/p\u003e","brand":"TipTop Audio","offers":[{"title":"Default Title","offer_id":43851118805206,"sku":"TTB_266t","price":489.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/products\/TipTop_Buchla_266t_front_cropped.png?v=1670298279"},{"product_id":"spectraphon","title":"Spectraphon","description":"The Make Noise\/soundhack Spectraphon is a dual Spectral Oscillator coded by Tom Erbe of soundhack. It uses real-time spectral analysis and resynthesis to create new sounds from those that already exist. It is inspired by classic electronic musical instruments of the past, including spectral processors, additive synthesis, vocoders, and resonators especially the Buchla 296 and Touché, but it takes a physical form more resembling the classic analog dual complex oscillator in the lineage of the Buchla 259 and the Make Noise DPO.\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Make Noise Co.","offers":[{"title":"Default Title","offer_id":44210511773910,"sku":"MN_Spec","price":979.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/spectraphon-black-may10-3300x3300.png?v=1684536326"},{"product_id":"de-2-bunker-archeology-panel-pcb","title":"DE-2 BUNKER ARCHEOLOGY Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is Panel \u0026amp; PCB only and the last set for the Original Bunker Archeology!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eBunker Archeology is a 12HP Eurorack module and the world’s first ”bunker simulator”. The module is composed by two different sections: an overdriven digital reverb “tank” as well as frequency driven tremolo\/VCA. The module is normalized so the incoming signal is first sent to the reverb and then to the static (tremolo) circuit. The latter can also be used as a crude (albeit backwards) VCA. However one can easily self patch the module so the signal goes the other way around by inserting an incoming signal to the “Static in” and patching “Output” to “Bunker In”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUsing “Bunker Input” you can attenuate the incoming signal, this is helpful since the reverb tank is pushed to its very limits. Depending on how you attenuate the incoming signal (also of course depending on how “hot” the incoming signal is, digital oscillators for instance tend to be a lot hotter) the module will behave differently, not just in regards of distortion. You can regard the whole circuit as a bastardized envelope follower of sorts (that being said placing a VCA before the input is usually a fun idea, or any modulation of frequency really). When the modulation switch is switched on (ie. Downwards) it causes the reverb tank to gradually shut down (or attacking itself), shorting out the tank using a LDR and a LED. This creates interference and noise which is sent to the static circuit. It can be used for drones (shaped with the acoustics knob) or percussive sounds. The modulation knob lets you dial in the amount and character of that sound and how much of the tank that should be shorted. This knob also has CV control (expecting 0 to 5V and ignoring negative voltages).\u003c\/p\u003e\n\u003cp\u003eThe “Acoustics” knob lets you change the overall acoustics of the bunker which in turn effects how static behaves . Since the static circuit is frequency driven, altering the frequency changes the overall behaviour of the static circuits speed and\/or stuttering. Feedback is the amount of signal being fed back into the reverb tank. “Reverb Out” is a dedicated output for the reverb section and can be used for mixing downstream in your rack for those times you don’t want the static interference, just a grainy lo-fi reverb). You can of course also use an external mixer to combine the two outputs. Plugging in a cable into the “Reverb Out” will not stop sending the reverb signal to the static circuit.\u003c\/p\u003e\n\u003cp\u003e“Static in” is a dedicated input for the static circuit. Plugging in a cable here will remove the reverb from the static circuit completely (but still present at the reverb out, as described above). The “Divisions” switch determines the overall speed of the static circuit. There are three different options. The CV input on the static side of the module lets you replace the frequency driven tremolo with a positive CV. Remember that this works as a backwards VCA, ie. shutting the signal up when voltage goes high and leaving it audible when voltage is low. It expects a 0- 5V incoming signal and might not track your incoming envelope perfectly but it does its job! The CV knob lets you either dial in the tremolo amount (when no cable is inserted into “CV”) or attenuates the incoming CV signal. At about 11-12 a clock using the tremolo it should chop the sound up in and makes it grainy. Feeding this CV input an audiorate signal creates bell like tones (similar to a ring modulator) or bitcrushing sounds depending on the division setting and the modulating waveform. This is made possible by using a lighting fast transistor based optocoupler rather than the much more sluggish, standard LDR\/LED or vactrol configuration. The “Output” is the end station of the module, when nothing is plugged into “Static In” it contains the reverb and the static circuit in series, when the input to the static circuit is used it just contains the static out. Which means you can use either half of this module if you want, or both, or use the reverb to effect one sound and the static a different sound in patch.\u003c\/p\u003e\n\u003cp\u003eThe input attenuator, the acoustic knob, feedback, modulation and static CV amount are all meant to play around with, there are usually several sweet spots here, but remember it is also affected by your incoming signal. Try different incoming signals, and see what you like (VCA’s and filters are usually a good idea too to alter the signal before it hits the bunker). It is also possible and encouraged to use this module without any incoming signal, just turn the modulation switch and introduce noise\/drones to the static circuit. Use acoustics and feedback to shape it. Use a 0-5v incoming CV signal to effect the LED\/LDR and making different sounds and volume (usually a lower setting on the CV pot here causes bigger changes when using incoming CV). Plug in a steady, or polyrhythmic clock into the static CV in. What do you hear?\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48045798293718,"sku":"DE-2-BA","price":139.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/bunker.png?v=1776168287"},{"product_id":"de-9-box-of-angels-panel-pcb-set","title":"DE-9 BOX OF ANGELS Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBox of Angels is a three stage bandpass filter\/bandpass-gate with integrated noise source in 12HP. Box of Angels can be used as three serial filters, a bandpass gate\/crude VCA, and as a separate gritty noise source. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe noise source is normalled to the module input, which means that Box of Angels can be a sound source on its own. There is also a dedicated noise output if you want to use the noise with other modules in your rack. Each filter has its own Amplitude control with CV input and attenuator, as well as controls for filter frequency and resonance. Turing up the resonance on the filters and sending CV to each amplitude allows for some interesting evolving tones without the need for external input.\u003c\/span\u003e\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48076308873430,"sku":"DE-9-BOA","price":145.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/Djupviks-box-of-angels.png?v=1776167762"},{"product_id":"de-10-health-panel-pcb-set","title":"DE-10 HEALTH Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHealth is a 12HP clock generator, “wave shaper” and dedicated (clocked) sound source. The input accepts both audio and clock signals. There are 3 knob controls to regulate the internal clock through a NAND gate, and a dedicated clock output for the internal clock.\u003c\/p\u003e\n\u003cp\u003eThe module has 4 knob controls for regulating the pitch for each step as well as a knob for the master pitch. Three toggle switches are used to create new patterns and the middle switch also selects division of the clock out jack (when using the internal clock).\u003c\/p\u003e\n\u003cp\u003eHealth also features a filter; low pass to the right, high pass to the left to tweak the sound even further.\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48107005051094,"sku":"DE-10-HLT","price":139.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/CUTOUT_de-10-health-new.png?v=1776244663"},{"product_id":"de-27-morser-panel-pcb-set","title":"DE-27 MÖRSER Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMörser is a 12HP stereo filter with shared frequency control (but separate resonance controls) for both channels. Each channel also has a dedicated distortion unit which, via a switch, lets you decide which output you want to have distorted (highpass, bandpass or lowpass). The distortion is heavy and thick just like one would expect from a DE module and there is no blend knob. It’s always 100% on. There are dedicated (non distorted) outputs for both lowpass and bandpass on each channel.\u003c\/p\u003e\n\u003cp\u003eOn the input side there are separate inputs on both channels with a gain knob for adjusting the incoming signal strength, this is not to be underestimated since the incoming signal strength strongly dictates how this circuit behaves. It’s highly recommended to experiment with the input knobs and play around with the loudness of the incoming signal a lot, no matter what outputs you are using.\u003c\/p\u003e\n\u003cp\u003eIn the middle of the module there’s a digital noise unit which is clocked. The tempo of this internal clock has been modded from the original version (see below) and is regulated via a potentiometer which goes from fast to clicks and cuts territory or “morse code” bursts. There is a dedicated noise output for using this noise with the rest of your system and other modules. The noise out is normalled to BOTH the cv input and the audio in on both sides making Mörser an awesome sound source on its own – capable of making rainforest sounds, morse code and sci-fi landscapes without any input signals. The left input is also normalled to the right input so you can create a stereo filtered signal with just one sound source. Morser is a first in a line of filthy filters named after 90’s Bremen hardcore bands.\u003c\/p\u003e\n\u003cp\u003e[\u003cem\u003eAcknowledgements from Djupviks: This design draws heavy inspiration from the original WASP filter1 launched in 1978 so credit to EDP for that one. Inspiration was also taken from pretty much all available clones out there (CGS, Doepfer, Juergen Haible even Behringer!) The result leans towards the dirtiest, most unstable version of a wasp style filter, borrowing inspiration from all of the aforementioned while adding some Djupviks flavour as well. Ken Stone (CGS) “designed” the noise circuit (CGS39) but doesn’t want any credit or mentioning for it, I offer it here anyways since I owe Ken a lot for his amazing designs and help during my DIY years. Without him Djupviks would never have existed\u003c\/em\u003e.]\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48107284005078,"sku":"DE-27-MRSR","price":159.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/MORSER.png?v=1776167065"},{"product_id":"de-26-systral-panel-pcb-set","title":"DE-26 SYSTRAL Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSystral is a 12HP Stereo Filter with shared frequency control (but separate resonance controls) for both channels. It also includes gain pots for adjusting the incoming signals strength per channel. The input gain controls are not to be underestimated as the signals strength strongly dictates pretty how the filter circuit behaves.\u003c\/p\u003e\n\u003cp\u003eThe filter circuit is based on the Korg MS-20 filter but the vision here was to break it down to make it as dirty as possible. Unstable resonance through red LEDs, and an analog noise source normalled to the CV input are part of the efforts to achieve this. The CV noise is also audible by turning up the resonance which is by design (and the noise is not like in mörser) normaled to the audio path since this sounded so great on its own.\u003c\/p\u003e\n\u003cp\u003eThere is a dedicated noise output for making this part available to the rest of your system and other modules, making Systral an awesome sound source on its own being capable of making windy sounds, lasers, and sci-fi landscapes without any input signals at all (as long as you crank the resonance).\u003c\/p\u003e\n\u003cp\u003eThere is a shared blend control for mixing between low and high pass filter types for exploring the places between the two. The left input is also normalled to the right input so you can create a stereo filtered\u003cbr\u003esignal with just one sound source. Systral is the second release out of (more) filthy filters named after 90’s Bremen hardcore bands, the first one was Mörser (also released in 2025).\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48107662180566,"sku":"DE-26-STRL","price":159.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/Djupviks-de-26-systral-new.png?v=1776244626"}],"url":"https:\/\/hylindevices.com.au\/collections\/noise.oembed","provider":"HYLIN Devices","version":"1.0","type":"link"}