{"title":"New Arrivals","description":"These items have recently landed","products":[{"product_id":"sensory-coupler","title":"Sensory Coupler","description":"\u003cp\u003eThe Sensory Coupler allows you to easily convert touch, proximity, light, magnetic fields, motion, and more into CV and gate.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cstrong\u003eIncludes:\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003ePhototransistor \/ light sensor\u003cbr data-mce-fragment=\"1\"\u003eHall effect \/ magnetic sensor\u003cbr data-mce-fragment=\"1\"\u003eAccelerometer \/ motion sensor\u003cbr data-mce-fragment=\"1\"\u003eGooseneck 1\/8″ TRS cable. Easy to bend and stays in place. \u003cbr data-mce-fragment=\"1\"\u003e2M 1\/8″ TRS cable. Has a higher gauge than a regular 1\/8″ modular cable, allowing for sensors to be connected at a distance without introducing noise. \u003cbr data-mce-fragment=\"1\"\u003e50mm long alligator clip wire for touch sensor\u003cbr data-mce-fragment=\"1\"\u003eDonut magnet\u003c\/p\u003e","brand":"Bleep Labs","offers":[{"title":"Default Title","offer_id":43746375958742,"sku":"BL-SC","price":389.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/products\/Sensory-Coupler-kit.png?v=1670930271"},{"product_id":"tetrachords","title":"Tetrachords","description":"\u003cp\u003e\u003cspan\u003eThe Tetrachords is a 4 track polyphonic CV \u0026amp; MIDI note sequencer for Eurorack systems.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeaturing extensive connectivity, the Tetrachords can act as a bridge between a modular system and the rest of a studio.\u003cbr\u003e\u003cbr\u003eThe unique, built-for-purpose interface turns a studio into a melodic and harmonic playground. Easily explore anything from unisons and simple melodies to dense note clusters, made-up scales and polytonal mayhem.\u003c\/span\u003e\u003c\/p\u003e","brand":"Cycle Instruments","offers":[{"title":"Default Title","offer_id":48033811300566,"sku":"CI-TETRA","price":1199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/TETRACHORD_store_01.png?v=1776254005"},{"product_id":"weaver-handheld-forest-green","title":"Weaver Handheld - Dusty Pink","description":"\u003cdiv class=\"Preview_row__3Fkye row\"\u003e\n\u003cdiv data-id=\"BC3DEDA6-673C-4400-B097-4DA4378A8238\" data-kind=\"TEXT\" class=\"Preview_componentWrapper__2i4QI\"\u003e\n\u003cdiv data-in-template=\"false\" data-id=\"BC3DEDA6-673C-4400-B097-4DA4378A8238\" data-kind=\"Component\" data-specific-kind=\"TEXT\" class=\"Preview_component__SbiKo text-align-null\"\u003e\n\u003cdiv data-mve-font-change=\"0\" class=\"styles_contentContainer__lrPIa textnormal styles_text__3jGMu\"\u003e\n\u003cp class=\"mobile-undersized-upper\"\u003e\u003cspan\u003eThe Weaver from Fieldtone is a handheld single knob audio sampler. With exploration, randomisation and chance at its core, the Weaver takes any sound and immediately produces rhythmical loops and evolving textures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"mobile-undersized-upper\"\u003e\u003cspan\u003eThere is no undo switch, there is no going back. The only other control is the ability to switch between a textural or rhythmic output. Sample time is fixed at two seconds. The amount of rhythms, loops and possible outcomes of that two seconds is infinite - every time you move the knob the parameters are randomised and a new loop presents itself. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"mobile-undersized-upper\"\u003e\u003cspan\u003eSounds can be captured by either the built in microphone or the 3.5mm line input.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"Preview_row__3Fkye row\"\u003e\n\u003cdiv class=\"Preview_column__1KeVx col\"\u003e\n\u003cdiv class=\"Preview_row__3Fkye row\"\u003e\n\u003cdiv data-id=\"5B0746C6-C9A8-4EEA-A141-608802EB53E3\" data-kind=\"TEXT\" class=\"Preview_componentWrapper__2i4QI\"\u003e\n\u003cdiv data-in-template=\"false\" data-id=\"5B0746C6-C9A8-4EEA-A141-608802EB53E3\" data-kind=\"Component\" data-specific-kind=\"TEXT\" class=\"Preview_component__SbiKo text-align-null\"\u003e\n\u003cdiv data-mve-font-change=\"0\" class=\"styles_contentContainer__lrPIa textnormal styles_text__3jGMu\"\u003e\n\u003cp class=\"mobile-undersized-upper\"\u003e\u003cspan\u003eI\u003c\/span\u003e\u003cspan\u003en Rhythm mode the Weaver can be externally synced as a slave device via control voltage clock. The Weaver is looking for a sync CV of +5v supplied via 3.5mm jack (standard modular patch cable).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"mobile-undersized-upper\"\u003e\u003cspan\u003eThe Weaver outputs as stereo, with plenty of spatial movement in its character. The 3.5mm jack output is able to supply headphones directly for portability as well as plugged into line level inputs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"mobile-undersized-upper\"\u003e\u003cspan\u003eThe device is powered by 9v centre negative (standard boss pedal style) DC power supply (not included) or by a 9v battery for use in the field. \u003c\/span\u003e\u003cspan\u003eAn alkaline battery will give around 2.5 hours of continuous usage, a rechargeable lithium-ion battery 3-4 hours. Please use rechargeable batteries where possible.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fieldtone","offers":[{"title":"Default Title","offer_id":48039636238550,"sku":"WVR-HH-PNK","price":489.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/rn-image_picker_lib_temp_32d5dc60-53c7-4e74-80b9-5ff9e9e12e36.png?v=1776253799"},{"product_id":"weaver-handheld-forest-green-1","title":"Weaver Handheld - Forest Green","description":"\u003cdiv class=\"Preview_row__3Fkye row\"\u003e\n\u003cdiv class=\"Preview_componentWrapper__2i4QI\" data-kind=\"TEXT\" data-id=\"BC3DEDA6-673C-4400-B097-4DA4378A8238\"\u003e\n\u003cdiv class=\"Preview_component__SbiKo text-align-null\" data-specific-kind=\"TEXT\" data-kind=\"Component\" data-id=\"BC3DEDA6-673C-4400-B097-4DA4378A8238\" data-in-template=\"false\"\u003e\n\u003cdiv class=\"styles_contentContainer__lrPIa textnormal styles_text__3jGMu\" data-mve-font-change=\"0\"\u003e\n\u003cp class=\"mobile-undersized-upper\"\u003e\u003cspan\u003eThe Weaver from Fieldtone is a handheld single knob audio sampler. With exploration, randomisation and chance at its core, the Weaver takes any sound and immediately produces rhythmical loops and evolving textures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"mobile-undersized-upper\"\u003e\u003cspan\u003eThere is no undo switch, there is no going back. The only other control is the ability to switch between a textural or rhythmic output. Sample time is fixed at two seconds. The amount of rhythms, loops and possible outcomes of that two seconds is infinite - every time you move the knob the parameters are randomised and a new loop presents itself. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"mobile-undersized-upper\"\u003e\u003cspan\u003eSounds can be captured by either the built in microphone or the 3.5mm line input.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"Preview_row__3Fkye row\"\u003e\n\u003cdiv class=\"Preview_column__1KeVx col\"\u003e\n\u003cdiv class=\"Preview_row__3Fkye row\"\u003e\n\u003cdiv class=\"Preview_componentWrapper__2i4QI\" data-kind=\"TEXT\" data-id=\"5B0746C6-C9A8-4EEA-A141-608802EB53E3\"\u003e\n\u003cdiv class=\"Preview_component__SbiKo text-align-null\" data-specific-kind=\"TEXT\" data-kind=\"Component\" data-id=\"5B0746C6-C9A8-4EEA-A141-608802EB53E3\" data-in-template=\"false\"\u003e\n\u003cdiv class=\"styles_contentContainer__lrPIa textnormal styles_text__3jGMu\" data-mve-font-change=\"0\"\u003e\n\u003cp class=\"mobile-undersized-upper\"\u003e\u003cspan\u003eI\u003c\/span\u003e\u003cspan\u003en Rhythm mode the Weaver can be externally synced as a slave device via control voltage clock. The Weaver is looking for a sync CV of +5v supplied via 3.5mm jack (standard modular patch cable).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"mobile-undersized-upper\"\u003e\u003cspan\u003eThe Weaver outputs as stereo, with plenty of spatial movement in its character. The 3.5mm jack output is able to supply headphones directly for portability as well as plugged into line level inputs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"mobile-undersized-upper\"\u003e\u003cspan\u003eThe device is powered by 9v centre negative (standard boss pedal style) DC power supply (not included) or by a 9v battery for use in the field. \u003c\/span\u003e\u003cspan\u003eAn alkaline battery will give around 2.5 hours of continuous usage, a rechargeable lithium-ion battery 3-4 hours. Please use rechargeable batteries where possible.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Fieldtone","offers":[{"title":"Default Title","offer_id":48045658800342,"sku":"WVR-HH-GRN","price":489.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/rn-image_picker_lib_temp_01898e6c-364b-4b32-b5f7-5768ea5b1ec9.png?v=1776253586"},{"product_id":"weaver-modular","title":"Weaver Modular - Dusty Pink (Purple LED)","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWeaver Modular from Fieldtone is a Eurorack format version of the highly in demand Weaver handheld sampler but builds on the functionality of the original by adding a variety of additional control. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Weaver is no ordinary audio sampler, it is a meditation on impermanence and chance. With a single, enigmatic knob, it embraces randomness as an artistic principle, reconfiguring two-second sound bites into hypnotic loops and evolving textures. There is no undo button, no way back once a sound is captured; the Weaver insists that you move forward, shaping the unpredictable into rhythm or texture with nothing more than a twist of the wrist or control voltage change. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNew functionality on the device includes separate level controls of different elements of the loop, as well as 3 x trigger outputs which turns the device into a random rhythm generator for which you don't even need to be using the sampling capabilities. You can trigger the Recording start via CV, allowing you to keep replacing the sample whilst the loop continuously plays - something that works beautifully with acoustic sound sources such as guitar or voice, as well as electronics. A switch has also been added to select between Random or Root note sympathetic pitch playback.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fieldtone","offers":[{"title":"Default Title","offer_id":48045669318870,"sku":"WVR-MOD-PNK","price":519.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/20251124_FieldTone_WeaverModular0098.png?v=1776253481"},{"product_id":"de-2-bunker-archeology-panel-pcb","title":"DE-2 BUNKER ARCHEOLOGY Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is Panel \u0026amp; PCB only and the last set for the Original Bunker Archeology!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eBunker Archeology is a 12HP Eurorack module and the world’s first ”bunker simulator”. The module is composed by two different sections: an overdriven digital reverb “tank” as well as frequency driven tremolo\/VCA. The module is normalized so the incoming signal is first sent to the reverb and then to the static (tremolo) circuit. The latter can also be used as a crude (albeit backwards) VCA. However one can easily self patch the module so the signal goes the other way around by inserting an incoming signal to the “Static in” and patching “Output” to “Bunker In”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUsing “Bunker Input” you can attenuate the incoming signal, this is helpful since the reverb tank is pushed to its very limits. Depending on how you attenuate the incoming signal (also of course depending on how “hot” the incoming signal is, digital oscillators for instance tend to be a lot hotter) the module will behave differently, not just in regards of distortion. You can regard the whole circuit as a bastardized envelope follower of sorts (that being said placing a VCA before the input is usually a fun idea, or any modulation of frequency really). When the modulation switch is switched on (ie. Downwards) it causes the reverb tank to gradually shut down (or attacking itself), shorting out the tank using a LDR and a LED. This creates interference and noise which is sent to the static circuit. It can be used for drones (shaped with the acoustics knob) or percussive sounds. The modulation knob lets you dial in the amount and character of that sound and how much of the tank that should be shorted. This knob also has CV control (expecting 0 to 5V and ignoring negative voltages).\u003c\/p\u003e\n\u003cp\u003eThe “Acoustics” knob lets you change the overall acoustics of the bunker which in turn effects how static behaves . Since the static circuit is frequency driven, altering the frequency changes the overall behaviour of the static circuits speed and\/or stuttering. Feedback is the amount of signal being fed back into the reverb tank. “Reverb Out” is a dedicated output for the reverb section and can be used for mixing downstream in your rack for those times you don’t want the static interference, just a grainy lo-fi reverb). You can of course also use an external mixer to combine the two outputs. Plugging in a cable into the “Reverb Out” will not stop sending the reverb signal to the static circuit.\u003c\/p\u003e\n\u003cp\u003e“Static in” is a dedicated input for the static circuit. Plugging in a cable here will remove the reverb from the static circuit completely (but still present at the reverb out, as described above). The “Divisions” switch determines the overall speed of the static circuit. There are three different options. The CV input on the static side of the module lets you replace the frequency driven tremolo with a positive CV. Remember that this works as a backwards VCA, ie. shutting the signal up when voltage goes high and leaving it audible when voltage is low. It expects a 0- 5V incoming signal and might not track your incoming envelope perfectly but it does its job! The CV knob lets you either dial in the tremolo amount (when no cable is inserted into “CV”) or attenuates the incoming CV signal. At about 11-12 a clock using the tremolo it should chop the sound up in and makes it grainy. Feeding this CV input an audiorate signal creates bell like tones (similar to a ring modulator) or bitcrushing sounds depending on the division setting and the modulating waveform. This is made possible by using a lighting fast transistor based optocoupler rather than the much more sluggish, standard LDR\/LED or vactrol configuration. The “Output” is the end station of the module, when nothing is plugged into “Static In” it contains the reverb and the static circuit in series, when the input to the static circuit is used it just contains the static out. Which means you can use either half of this module if you want, or both, or use the reverb to effect one sound and the static a different sound in patch.\u003c\/p\u003e\n\u003cp\u003eThe input attenuator, the acoustic knob, feedback, modulation and static CV amount are all meant to play around with, there are usually several sweet spots here, but remember it is also affected by your incoming signal. Try different incoming signals, and see what you like (VCA’s and filters are usually a good idea too to alter the signal before it hits the bunker). It is also possible and encouraged to use this module without any incoming signal, just turn the modulation switch and introduce noise\/drones to the static circuit. Use acoustics and feedback to shape it. Use a 0-5v incoming CV signal to effect the LED\/LDR and making different sounds and volume (usually a lower setting on the CV pot here causes bigger changes when using incoming CV). Plug in a steady, or polyrhythmic clock into the static CV in. What do you hear?\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48045798293718,"sku":"DE-2-BA","price":139.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/bunker.png?v=1776168287"},{"product_id":"weaver-modular-black-pink-led","title":"Weaver Modular - Black (Pink LED)","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWeaver Modular from Fieldtone is a Eurorack format version of the highly in demand Weaver handheld sampler but builds on the functionality of the original by adding a variety of additional control. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Weaver is no ordinary audio sampler, it is a meditation on impermanence and chance. With a single, enigmatic knob, it embraces randomness as an artistic principle, reconfiguring two-second sound bites into hypnotic loops and evolving textures. There is no undo button, no way back once a sound is captured; the Weaver insists that you move forward, shaping the unpredictable into rhythm or texture with nothing more than a twist of the wrist or control voltage change. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNew functionality on the device includes separate level controls of different elements of the loop, as well as 3 x trigger outputs which turns the device into a random rhythm generator for which you don't even need to be using the sampling capabilities. You can trigger the Recording start via CV, allowing you to keep replacing the sample whilst the loop continuously plays - something that works beautifully with acoustic sound sources such as guitar or voice, as well as electronics. A switch has also been added to select between Random or Root note sympathetic pitch playback.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fieldtone","offers":[{"title":"Default Title","offer_id":48045861109974,"sku":"WVR-MOD-BLK","price":519.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/20251124_FieldTone_WeaverModular0068.png?v=1776253224"},{"product_id":"weaver-modular-forest-green-orange-led","title":"Weaver Modular - Forest Green (Orange LED)","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWeaver Modular from Fieldtone is a Eurorack format version of the highly in demand Weaver handheld sampler but builds on the functionality of the original by adding a variety of additional control. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Weaver is no ordinary audio sampler, it is a meditation on impermanence and chance. With a single, enigmatic knob, it embraces randomness as an artistic principle, reconfiguring two-second sound bites into hypnotic loops and evolving textures. There is no undo button, no way back once a sound is captured; the Weaver insists that you move forward, shaping the unpredictable into rhythm or texture with nothing more than a twist of the wrist or control voltage change. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNew functionality on the device includes separate level controls of different elements of the loop, as well as 3 x trigger outputs which turns the device into a random rhythm generator for which you don't even need to be using the sampling capabilities. You can trigger the Recording start via CV, allowing you to keep replacing the sample whilst the loop continuously plays - something that works beautifully with acoustic sound sources such as guitar or voice, as well as electronics. A switch has also been added to select between Random or Root note sympathetic pitch playback.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fieldtone","offers":[{"title":"Default Title","offer_id":48045866877142,"sku":"WVR-MOD-GRN","price":519.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/20251124_FieldTone_WeaverModular0096.png?v=1776252804"},{"product_id":"de-16-bristol-bloodhound-mkii-panel-pcb-set","title":"DE-16 BRISTOL BLOODHOUND MKII Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Bristol Bloodhound MKII is a 20HP dual oscillator with a built in VCA, wave multiplier and a unique feedback circuit. The voltage controlled oscillators are capable of going from clean to very noisy and have been designed to be a characterful and gritty VCOs that can also solidly track 1v per octave and fulfil more traditional musical duties as well as sonically tearing things up! This MKII version also features dedicated square wave outputs unaffected by the VCA.\u003c\/p\u003e\n\u003cp\u003eThe sine core is an interpretation of the sine oscillator found in the Dreadbox Antiphon (used with permission) using a 2164 for both generating the sine wave as well as the VCA portion of the module. A switch for each channel will pull the oscillators down deep to serve additionally as an LFO.\u003c\/p\u003e\n\u003cp\u003eThe wave multiply section is derived from the CGS module of the same name (also used with kind permission from Ken Stone) with only minor adjustments – most notably a feedback section for creating harsher dynamics and noise. The sine oscillator is normalised to the wave multiplier via the Wave in jack. The second oscillator’s sine output is normalised to the CV in of the wave multiplier and vice versa.\u003c\/p\u003e\n\u003cp\u003eInputting an external signal into the Wave in breaks the sine connection but the sine is still present at the Sine output (you can still then use the sine output for LFO duties for example). This makes it possible to use the module for processing external sound sources such as field recordings, drum machines and other oscillators.\u003c\/p\u003e\n\u003cp\u003eThe Feedback input accepts all kinds of signals, both cv, triggers, gates and audio rate. There are two attenuators for feedback and wave cv. Tracking when calibrated should be around 4-5 octaves.\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48066414575830,"sku":"DE-16-BB2","price":159.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/Djupviks-bristol-mk2.png?v=1776244975"},{"product_id":"de-9-box-of-angels-panel-pcb-set","title":"DE-9 BOX OF ANGELS Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBox of Angels is a three stage bandpass filter\/bandpass-gate with integrated noise source in 12HP. Box of Angels can be used as three serial filters, a bandpass gate\/crude VCA, and as a separate gritty noise source. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe noise source is normalled to the module input, which means that Box of Angels can be a sound source on its own. There is also a dedicated noise output if you want to use the noise with other modules in your rack. Each filter has its own Amplitude control with CV input and attenuator, as well as controls for filter frequency and resonance. Turing up the resonance on the filters and sending CV to each amplitude allows for some interesting evolving tones without the need for external input.\u003c\/span\u003e\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48076308873430,"sku":"DE-9-BOA","price":145.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/Djupviks-box-of-angels.png?v=1776167762"},{"product_id":"de-19-mouth-panel-pcb-set","title":"DE-19 MOUTH Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMOUTH is a 2-channel true stereo fixed resonance\/bandpass filter\/vowel filter and\/or anti-wah module. the module design uses a unique CV circuit using several infra-red optocouplers which makes it very suitable for audio range\/fast CV., and Mouth can also use regular, slow, CV with ease.\u003c\/p\u003e\n\u003cp\u003eThe audio and CV inputs for channel one are normalled to channel two making it easy to create a stereo signal using a mono input. There is an invert switch which flips the incoming cv from channel one on its head to create wide evolving stereo soundscapes.\u003c\/p\u003e\n\u003cp\u003eThe middle knob controls frequency offset, and there are also two attenuator knobs above for the incoming CV signals. Mouth features individual outputs for each channel and also a mix out for blending signals, this allows the module to mix two completely different sound sources post filtering.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48076459344086,"sku":"DE-19-MTH","price":119.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/CUTOUT_-_Djupviks-DE-19-mouth-19.png?v=1776157255"},{"product_id":"de-6-nodsignal-panel-pcb-set","title":"DE-6 NØDSIGNAL Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNØDSIGNAL \u003c\/span\u003eis a true stereo broken tape-machine simulator in a 6HP Eurorack module. As such this module is capable of doing vibrato, chorus as well as ring mod(ish) sounds with the right modulation. Input on channel one (left) as well as CV for the same channel is normalled to channel two (to the right). This means you can get a stereo signal out from just a mono input if you prefer, and you can modulate both channels with just a single cv input. The invert switch inverts the incoming CV signal on channel one before it reaches channel two, creating the opposite of what is modulating channel 1, while the dry\/wet switch removes the dry input when pushed down.\u003c\/p\u003e\n\u003cp\u003eTraditionally chorus is done with the dry signal present and with faster modulation, whereas vibrato is done without the dry input and with slower modulation. You can experiment with this, even doing fast cv on one channel and slow on the other. The Station switch presents two different kinds of tape saturation, most notable with the wet signal present. The second mode is an envelope follower of sorts which is shown by the white LEDs tracking the signal. The tune knob, with no CV present at the inputs acts as a tuner of sorts, skipping the tape around when turned. With a CV signal at the input it works as a attenuator for both CV inputs. At maximum setting (full CV) it also acts as a soft bypass for the wet signal.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48106037149910,"sku":"DE-6-NODSIG","price":135.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/Djupviks-nodsignal.png?v=1776168565"},{"product_id":"de-5-shakti-panel-pcb-set","title":"DE-5 SHAKTI Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eShakti is a 4hp no-input mixer in eurorack format.\u003c\/p\u003e\n\u003cp\u003eShakti contains no less than 3 different feedback loops in a very small 4HP package. There are 2 internal loops represented by the pots FEEDBACK and FEEDBACK II.\u003cbr\u003eWhere FEEDBACK is a normal signal, FEEDBACK II is an inverted signal and RECEIVE is an external path (one that you send out from the module, through any other modules of your choice and then back again).\u003c\/p\u003e\n\u003cp\u003eWhen working with feedback all three of these will intermingle fast which means both FEEDBACK pots and RECEIVE knobs will affect each other. A filter is attached to the first feedback path but since all signals will intermingle in this circuit (it is a mixer after all) the filter will affect all three paths.\u003c\/p\u003e\n\u003cp\u003eStarting with the knob in the middle, it has a lowpass filter to the right and high pass to the left. OUTPUT I contains the inverted signal whereas OUTPUT II contains the normal signal. Shakti can be used as a stereo module since the 2 outputs can differ drastically at times.\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48106261905622,"sku":"DE-5-SHK","price":89.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/DE-5-Shakti-main.png?v=1776168737"},{"product_id":"de-4-gbu-12-paveway-ii-panel-pcb-set","title":"DE-4 GBU-12 PAVEWAY II Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe GBU-12  Paveway II is an 8HP chaotic CV generator in Eurorack format. There are 3 individual channels with two CV outputs per channel (X and Y) as well as 3 x gate outputs and a CV input per channel. Each channel will send a gate whenever output X is higher in voltage than output Y. There is also a knob for each channel to influence the chaotic waveform – with the turned up full, the chaos will become slightly faster and somewhat wilder. The channels do not influence each other, unless you self patch them!\u003c\/p\u003e\n\u003cp\u003eThe GBU-12 CV inputs are highly sensitive to incoming CV and can receive pretty much anything: gates, triggers, LFO’s, envelopes, clocks and audio. The chaos circuitry of the GBU-12 is considered a “jerk” circuit, which means that it often starts with a more sudden “pull” that then evens out. It’s a bit wilder than the chaotic circuits used in most other modules.\u003c\/p\u003e\n\u003cp\u003eThe chaotic gate output is really useful for triggering other envelopes on a semi regular basis, especially when timing is not essential and you want diversity and life in your patch. Use it to reset an LFO, to ping a filter or Lowpass-gate or to trigger drums or other “events” in your patch.\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48106505863382,"sku":"DE-4-GBU-12","price":135.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/Djupviks-de4-gbu12-front-1.png?v=1776167403"},{"product_id":"de-8-beneath-the-bush-of-ghosts-panel-pcb-set","title":"DE-8 BENEATH THE BUSH OF GHOSTS Panel, PCB \u0026 Chip set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel, PCB \u0026amp; IC Chip set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBeneath the Bush of Ghosts is a 26hp Quad Lo-fi sampler based on the ISD1820 IC chip which is an old answering machine chip. This module is inspired by several other projects based on the ISD1820 chip. Each of the four channels are identical to each other with some sneaky normalisation going on between the channels for extra fun!\u003c\/p\u003e\n\u003cp\u003eThere is a mix output which combines all the dry inputs with the sampler outputs, while the individual outs of each channel only contain the sampler output. Each individual output is cross modulated with the channel next to it in pairs, so 1-2 modulate each other and 3-4 the same way. Each output is also normalled to the following input, 1-2-3-4 and 4 goes back to input 1. This means you can do generation loss (i.e. disintegrating loops) with some clever patching. Each channel has a filter with lowpass to the left and high pass to the right, as well as a pitch knob with a dedicated cv input and attenuator. There is also a dedicated trig input for each channel, and control buttons for the following functions: record in, momentary play and full play of the sample. The trig inputs need a +5v gate to operate. Samples can be played on loop by engaging the ‘Loop’ switch at the top of each channel.\u003c\/p\u003e\n\u003cp\u003eRecording instructions: In order to record you need to turn the loop switch off, set the pitch to around the 10 to 2 o’clock (you can experiment with this), the CV knob will usually influences the sample speed so make sure it is fully CCW. Insert an input signal (or use the looping sampler next to it) and hit record, the LED will turn off while recording, and light up again when the memory of the chip is full. It’s a simple as that!\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48106720297174,"sku":"DE-8-BTBOG","price":189.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/Djupviks-de-8-quad-sampler.png?v=1776244832"},{"product_id":"de-10-health-panel-pcb-set","title":"DE-10 HEALTH Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHealth is a 12HP clock generator, “wave shaper” and dedicated (clocked) sound source. The input accepts both audio and clock signals. There are 3 knob controls to regulate the internal clock through a NAND gate, and a dedicated clock output for the internal clock.\u003c\/p\u003e\n\u003cp\u003eThe module has 4 knob controls for regulating the pitch for each step as well as a knob for the master pitch. Three toggle switches are used to create new patterns and the middle switch also selects division of the clock out jack (when using the internal clock).\u003c\/p\u003e\n\u003cp\u003eHealth also features a filter; low pass to the right, high pass to the left to tweak the sound even further.\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48107005051094,"sku":"DE-10-HLT","price":139.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/CUTOUT_de-10-health-new.png?v=1776244663"},{"product_id":"de-11-the-qu-panel-pcb-set","title":"DE-11 THE QU Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe QU is a 10HP phaser and sound mangler inspired by the Doppelganger phaser pedal from the 90’s and the works of Turkish sci-fi writer CM Kosemen\u003c\/p\u003e\n\u003cp\u003eThe QU module has two outputs (which you can use for stereo duties), one is clean and the other is distorted and thus slightly louder as well. Two CV inputs (CV to the left is normalised to the right when only using one input) are available, as are two switches, the first removes the dry signal from the circuit creating vibrato type effects in phaser mode and weirder stuff in QU mode. The second switch, labeled QU is to switch the QU on or off. When on, the QU are attacking, mangling and destroying the sound, sometimes trying to mimic the input but ultimately failing and instead morphing it into a “new species”.\u003cbr\u003eThe right CV input will have slightly more impact than the left in QU mode but both will affect the signal. There are three pots on top, two for feedback and one for Mix. Mix is important in Phaser mode since the phaser effect relies on a dry signal being present. The feedback pots are for the QU mode, they will affect the sound depending on the incoming signal and the other settings. All knobs and even the wet switch will interfere in QU mode.\u003cbr\u003eThere lots of fun to be had exploring the thresholds with this module!\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48107185537238,"sku":"DE-11-QU","price":139.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/de-11-QU-new.png?v=1776164855"},{"product_id":"de-27-morser-panel-pcb-set","title":"DE-27 MÖRSER Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMörser is a 12HP stereo filter with shared frequency control (but separate resonance controls) for both channels. Each channel also has a dedicated distortion unit which, via a switch, lets you decide which output you want to have distorted (highpass, bandpass or lowpass). The distortion is heavy and thick just like one would expect from a DE module and there is no blend knob. It’s always 100% on. There are dedicated (non distorted) outputs for both lowpass and bandpass on each channel.\u003c\/p\u003e\n\u003cp\u003eOn the input side there are separate inputs on both channels with a gain knob for adjusting the incoming signal strength, this is not to be underestimated since the incoming signal strength strongly dictates how this circuit behaves. It’s highly recommended to experiment with the input knobs and play around with the loudness of the incoming signal a lot, no matter what outputs you are using.\u003c\/p\u003e\n\u003cp\u003eIn the middle of the module there’s a digital noise unit which is clocked. The tempo of this internal clock has been modded from the original version (see below) and is regulated via a potentiometer which goes from fast to clicks and cuts territory or “morse code” bursts. There is a dedicated noise output for using this noise with the rest of your system and other modules. The noise out is normalled to BOTH the cv input and the audio in on both sides making Mörser an awesome sound source on its own – capable of making rainforest sounds, morse code and sci-fi landscapes without any input signals. The left input is also normalled to the right input so you can create a stereo filtered signal with just one sound source. Morser is a first in a line of filthy filters named after 90’s Bremen hardcore bands.\u003c\/p\u003e\n\u003cp\u003e[\u003cem\u003eAcknowledgements from Djupviks: This design draws heavy inspiration from the original WASP filter1 launched in 1978 so credit to EDP for that one. Inspiration was also taken from pretty much all available clones out there (CGS, Doepfer, Juergen Haible even Behringer!) The result leans towards the dirtiest, most unstable version of a wasp style filter, borrowing inspiration from all of the aforementioned while adding some Djupviks flavour as well. Ken Stone (CGS) “designed” the noise circuit (CGS39) but doesn’t want any credit or mentioning for it, I offer it here anyways since I owe Ken a lot for his amazing designs and help during my DIY years. Without him Djupviks would never have existed\u003c\/em\u003e.]\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48107284005078,"sku":"DE-27-MRSR","price":159.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/MORSER.png?v=1776167065"},{"product_id":"de-13-star-maker-panel-pcb-set","title":"DE-13 STAR MAKER Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStar Maker is a 12HP scanning stereo mixer. It has 4 inputs (labeled 1-4) and a stereo output (labeled Left\/Right). The inputs are intended for audio use, but can also accept CV.\u003c\/p\u003e\n\u003cp\u003eInputs 1 and 3 are connected to the left output, while 2 and 4 are connected to the right output. There is a clock input and an audio (clock) input, and you can use both of these at the same time.\u003c\/p\u003e\n\u003cp\u003eA gate output keeps track of what is going on within the circuit, but since pauses are a feature of this design this is reflected here as well, so don’t expect a steady clock for the most part. The top switch sets how many active steps each sequence will have, 4,5 or 8. When selecting 5 or 8 the circuit will insert pauses where there is no input (above step 4 that is).\u003c\/p\u003e\n\u003cp\u003eThe bottom switch is for division of the audio clock, if you want it to go somewhat slower or faster. Sometimes this circuit locks up, if so you can switch the division switch and see if it comes alive again.\u003c\/p\u003e\n\u003cp\u003eThere is also a button for manual stepping and setting the “start” position for a sequence before adding a clock, Ie. if you want the sequence to start at step 3 press the button until the LED beneath panel for LED 3 is lit.\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48107417043158,"sku":"DE-13-STRMKR","price":115.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/de-13-starmaker-new.png?v=1776166206"},{"product_id":"de-15-svalbard-panel-pcb-set","title":"DE-15 SVALBARD Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSVALBARD is a 18hp, 3 channel broken delay and no-input mixer, with both series and parallel outputs. Each channel has dedicated filter and cv control over delay time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e As well as being used as a “standard” broken delay it can also be used as a no input mixer (similar to Shakti) patching one (or several) outputs into one of its inputs. Then patch out from any of the outputs you are not using. Manipulating delay time and filters will have a huge effect on the sound. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe delay section can be used either in series or parallel, patching into channel one and patching out of channel 3 will give you the signal in series (sound passing through all 3 delays in series giving you long delays). Patching into 1 channel and out of the same channel will give you parallel delays (which means you can use this with three different sound), mix output will always give you all three delays in parallel.\u003c\/span\u003e\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48107542970582,"sku":"DE-15-SVBD","price":145.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/Djupviks-DE15-svalbard.png?v=1776166489"},{"product_id":"de-7-sleeper-awakes-panel-pcb-chip-set","title":"DE-7 SLEEPER AWAKES Panel, PCB \u0026 Chip set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel, PCB \u0026amp; IC Chip set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSleeper Awakes is a 12HP dual channel lo-fi sampler based on the ISD1820 IC which is an old answering machine chip. This module is essentially a 2 channel version of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.thonk.co.uk\/shop\/de-8-panel-pcb\/\"\u003eDE-8 BENEATH THE BUSH OF GHOSTS\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eEach channel is identical and there is a mixer combining both dry inputs with the sampler outputs. The outputs of each individual channel contain only the sampler signal, and are cross\u003cbr\u003emodulated by the channel next to it, so 1 and 2 modulate each others CV inputs. Inserting a cable into a CV in jack breaks this connection.\u003c\/p\u003e\n\u003cp\u003eEach channel of Sleeper Awakes has a pitch knob with a dedicated CV attenuator and filter with lowpass to the left and high pass to the right.  There are also dedicated trigger inputs and tactile switches  for the record, momentary play and\u003cbr\u003efull play functions. The trigger inputs need a +5v gate to be able to operate.\u003c\/p\u003e\n\u003cp\u003eAs a “bonus” the module features an electro magnetic stereo pickup made of inductors. You can use this to sample strange noises from your phone (or other electrical devices), which will rest on the module if mounted horizontally. The pickups are normalised to each input, so inserting a cable at the sampler input will remove the pickups from the circuit entirely.\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48107656118486,"sku":"DE-7-SLP","price":149.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/Djupviks-sleeper.png?v=1776169910"},{"product_id":"de-26-systral-panel-pcb-set","title":"DE-26 SYSTRAL Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSystral is a 12HP Stereo Filter with shared frequency control (but separate resonance controls) for both channels. It also includes gain pots for adjusting the incoming signals strength per channel. The input gain controls are not to be underestimated as the signals strength strongly dictates pretty how the filter circuit behaves.\u003c\/p\u003e\n\u003cp\u003eThe filter circuit is based on the Korg MS-20 filter but the vision here was to break it down to make it as dirty as possible. Unstable resonance through red LEDs, and an analog noise source normalled to the CV input are part of the efforts to achieve this. The CV noise is also audible by turning up the resonance which is by design (and the noise is not like in mörser) normaled to the audio path since this sounded so great on its own.\u003c\/p\u003e\n\u003cp\u003eThere is a dedicated noise output for making this part available to the rest of your system and other modules, making Systral an awesome sound source on its own being capable of making windy sounds, lasers, and sci-fi landscapes without any input signals at all (as long as you crank the resonance).\u003c\/p\u003e\n\u003cp\u003eThere is a shared blend control for mixing between low and high pass filter types for exploring the places between the two. The left input is also normalled to the right input so you can create a stereo filtered\u003cbr\u003esignal with just one sound source. Systral is the second release out of (more) filthy filters named after 90’s Bremen hardcore bands, the first one was Mörser (also released in 2025).\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48107662180566,"sku":"DE-26-STRL","price":159.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/Djupviks-de-26-systral-new.png?v=1776244626"},{"product_id":"de-17-neo-tokyo-panel-pcb-set","title":"DE-17 NEO TOKYO Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNEO TOKYO is based on a Djupviks concept which they are calling “LAZER PHASER”. The concept is about taking a more “standard” phaser duty and pushing it to the max using feedback amplified by several MEGAohms of resistance in the feedback path. Regular phasers can do this (in principle) by using intricate self patching with additional boosting, but Neo Tokyo gives you a fixed solution to this wonderful technique.\u003c\/p\u003e\n\u003cp\u003eThis method can get wild and out of control if you like that sort of thing. Neo Tokyo is also inspired by the manga Akira which was created by Katsuhiro Otomo and ran between 1981 and 1990. \u003cem\u003e\u003cstrong\u003eThe first press of panels reflects this being a limited and unique run with AKIRA inspired artwork in GOLD on red - Pictured but no longer available.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eOperation of this device is straightforward. There are 2 x inputs and 2 x outputs, and each channel has it’s own CV control. A master frequency knob controls both channels. Input 1 is normalled to input 2, so it’s possible to connect a mono signal and have stereo out (or even a stereo signal into both channels). The CV inputs are also normalled in the same way, and there is a reverse switch which causes the CV for channel 2 to be inverted from the CV in channel 1. This creates an alternating action between channels, and can also cause weird phases, cancellations and mayhem depending on the feedback settings!\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48107665522902,"sku":"DE-17-NEO","price":159.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/Djupviks-neo-tokyo.png?v=1776244586"},{"product_id":"de-20-clot-panel-pcb-set","title":"DE-20 CLOT Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe design of CLOT is based on an original idea by Jan Hall, firstl published in Electronotes EN 92 page 14-15 then refined and published as a manufactured PCB by Ken Stone as the “Bi-N-Tic” filter . Ken Stone kindly gave permission to use his design as a starting point for this module.\u003c\/p\u003e\n\u003cp\u003eDjupviks have twisted the original circuits and transformed them into a misbehaving monster! The core principle is the same: an internal (or external) VCO drives two analog switches which bounce between two banks of eight capacitors. In the original layouts the capacitors are all the same value, but using completely different values is what makes this “filter” get more unusual. Djupviks have also added switches for regulating the tempo and offset filter frequency pots and some logic.\u003c\/p\u003e\n\u003cp\u003eThe filter sections has the usual controls of frequency and Q\/resonance (or damp). Another update from the original design is that there are now 2 x independent controls for filter frequency instead of one, allowing for the creation of even more chaotic sounds when these controls are offset from each other. Ken writes: “Not all combinations of these two are actually valid, some resulting in silence, but none the less, quite an array of variations is possible” this is even more true with CLOT.\u003c\/p\u003e\n\u003cp\u003eOn the left side of the module is an input for an external VCO to override the internal oscillator. This is largely to drive the clock of this filter with a more precise 1v\/per octave oscillator (Like the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.thonk.co.uk\/shop\/bristol-bloodhound-mk-ii-panel-pcb\/\"\u003eDual Bristol Bloodhound\u003c\/a\u003e) which works well when sequenced to create interesting effects like flanging sounds etc. with the filter. Below this are 2 x inputs for sound sources, the bottom one has an attenuator connected to it and the pulses from the analog switches are normalled (through some logic) into this input for pinging action or accentuation of the “tempo” of the filter. The associated knob lets you dial in how much of that you want present. Of course this can also be used to mix a second incoming signal into the filter and control the volume of the input.\u003c\/p\u003e\n\u003cp\u003eIn the middle you have the 3 switches alternating the tempo, ie – what pulses from the analog switches are sent to the switching capacitors. These are (just like on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.thonk.co.uk\/shop\/de-10-health-panel-pcb\/\"\u003eHEALTH\u003c\/a\u003e) labeled “Rhythms” because usually this creates different rhythms also present at the clock output.\u003c\/p\u003e\n\u003cp\u003eOn the right of the module there’s an onboard clock oscillator with CV control, the knob attached to the cv input is the tempo (with no signal plugged into the cv input) with a cv inserted it acts as an attenuator for the incoming signal. The jack below labelled “Clock” is an output with some AND-gate logic attached to it. At very high speeds you’ll have a droning square wave oscillator present here, while at lower speeds you can use this output to clock other modules. The main filter output is at the bottom right of the module.\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48107668799702,"sku":"DE-20-CLOT","price":139.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/Djupviks-Clot.png?v=1776244509"},{"product_id":"de-22-tangram-panel-pcb-set","title":"DE-22 TANGRAM Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap\" dir=\"auto\" role=\"text\"\u003e\u003cspan class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\"\u003eTangram is a 8HP Dual LFO with a chaotic core! Each LFO has 2 outputs, triangle and square which are 10v ppv. The chaotic internal CV signals (of which there are 2) are normalled to the CV inputs of each LFO. Using the corresponding pots for each CV input lets you dial in the right amount of the chaotic signal. This allows each LFO to behave in a semi-random fashion.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap\" dir=\"auto\" role=\"text\"\u003e\u003cspan class=\"yt-core-attributed-string--link-inherit-color\" dir=\"auto\"\u003eEach LFO has a range switch (labeled “SLOW” on the panel) switching between two different initial speeds of each LFO. There is also a mix output which blends both of the chaotic signals with the Square wave from LFO 1 and the Triangle from LFO 2 thus creating very interesting waveforms and patterns (especially when applying CV control over the LFO’s like mentioned above). The pure chaotic CV signal is also available through the unlabelled output just above the mix output.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48108248432854,"sku":"DE-13-STRMKR","price":99.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/Djupviks-tangram-main.png?v=1776244543"},{"product_id":"de-21-rama-panel-pcb-set","title":"DE-21 RAMA Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRAMA is a 6HP dual no-input mixer in Eurorack format. Djupviks has been doing no-input mixing with guitar pedals and various devices for almost two decades, while the modular synth is a wonderful instrument – it was lacking a standalone, dedicated device for no-input mixing, so Djupviks decided to invent such a device and\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.thonk.co.uk\/shop\/de-shakti\/\"\u003eSHAKTI\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ewas released in October of 2022 as a solution to this “problem”.\u003c\/p\u003e\n\u003cp\u003eRAMA is a dual SHAKTI module with shared Feedback control. Each channel contains 3 different feedback loops in a very small package. 2 internal ones (represented but the pots Feedback and Invert, where Feedback is a normal signal, Invert which is an inverted signal and Receive – an external path (one that you send out from the module, through the modules of your choice and then back again). When working with feedback all three of these will intermingle fast which means both feedback knobs and receive knobs will all affect each other.\u003c\/p\u003e\n\u003cp\u003eA filter is attached to the first feedback path, but since all signals will intermingle in this circuit (it is a mixer after all) the filter will have an affect on all three paths. Starting with the knob in the middle, it has a lowpass filter to the right and high pass to the left. INVERT jack contains the inverted signal whereas OUTPUT contains the normal signal on each channel. When just using Channel 1 the output is normalled to the receive input of channel two thus creating a stereo field with just one external feedback loop (if that is to be desired).\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48108264784086,"sku":"DE-21-RAMA","price":95.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/Djupviks-rama-1.png?v=1776175607"},{"product_id":"de-18-agrippa-panel-pcb-set","title":"DE-18 AGRIPPA Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAGRIPPA is the world’s first stereo “ring modulator” named after the German philosopher Heinrich Cornelius Agrippa von Nettesheim (1486 –1535). It goes about ring modulating in a different manner altogether, using a CMOS infrastructure to create new and harsher sounds. There is no blend or mix knob as it was designed it to be loud and abrasive. A COARSE CV pot regulates the harshness of the module. It can of course also be used alongside an external mixer to blend the wet and dry to create more subtle results.\u003c\/p\u003e\n\u003cp\u003eOperation of this device is straight forward. Input 1 is normalised to input 2 so you can connect a mono signal and have stereo out (or why not a stereo signal into both channels). The CV input features an attenuator for the incoming signal. With nothing plugged into CV the pot works as COARSE, changing the sound manually (the led works backwards in this mode). The LED pretty much shows what is going on with this input and how the sound changes.  The CV input uses an unusual approach utilising an Infrared optocoupler and since infrared is super fast this input gives great results with audio or audio rate signals.\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48108270616790,"sku":"DE-18-AGR","price":99.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/Djupviks-de-18-agrippa.png?v=1776176000"},{"product_id":"de-24-spektrum-panel-pcb-set","title":"DE-24 SPEKTRUM Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSpektrum is a 16HP switched capacitor filter with resonance control and a completely unique stereo circuit. Unlike other switched capacitor filters (like Clot) Spektrum is not driven with an onboard oscillator. It instead takes an input signal and uses it as a clock to switch the capacitors within the filter.\u003c\/p\u003e\n\u003cp\u003eEach filter channel has frequency and resonance controls as well as 3 inputs: the main audio input (also used as clocking input), an optional secondary external clock input, and a secondary attenuated input for mixing in another audio signal. Input for audio\/clock is normalled from channel 1 to channel 2. In the middle there is an AND logic output for both channels clocks, and a mix output if you want to use both channels but in mono. The logic gate output is also normalled to the attenuated input which works nicely for pinging the filter.\u003c\/p\u003e\n\u003cp\u003eNext to each channel output there are 3 switches for dividing the incoming clock in different ways. Both channels have different cap values and divisions to make the outputs (in some settings) alternate between rhythms and patterns between left and right.\u003c\/p\u003e\n\u003cp\u003eSo in short, inserting a signal into the input creates sequences, rhythmic patterns and basslines depending on settings on the module but also depending on the input (as an experiment use the wave multiple out signal from Bristol Bloodhound and multiply the waveform while inserted into Spektrum. It will behave differently while scanning the incoming signal). Sweeping the incoming waveform, filtering it or running it through a reverb before spektrum will most likely create very interesting and varying results.\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48108283134166,"sku":"DE-24-SPKT","price":149.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/Djupviks-de24-spektrum.png?v=1776243742"},{"product_id":"de-31-gats-panel-pcb-set","title":"DE-31 GATS Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGATS is a 12hp grainy reverb and filter with sample and hold control. With nothing plugged into the sample and hold input, the circuit uses the audio signal as its source, while plugging something into sample \u0026amp; hold input will override this. There is also a direct sample \u0026amp; hold output which you can use regardless of what source is being used. This makes it possible to use the module as a standalone sample \u0026amp; hold if desired without using the filter or the reverb.\u003c\/p\u003e\n\u003cp\u003eThe input signal first hits the reverb circuit and there is a switch for the reverb to be fully wet or a 50-50 blend of dry\/wet. The signal then goes through the filter and the CV knob controls how much of the sample \u0026amp; hold will affect the filter frequency. The filter has both a frequency control and resonance (q) control and is a modified version of the bandpass filter in the legendary WASP synthesizer.\u003c\/p\u003e\n\u003cp\u003eThe sample \u0026amp; hold has an onboard clock which can be overridden by plugging in a clock into the Gate input. The feedback switch lets you chose between either pre or post filter feedback which both have their own flavour. Post filter feedback will be influenced by the filter modulation and position of the filter knobs.\u003c\/p\u003e\n\u003cp\u003eLastly there is an offset knob for the S\u0026amp;H output which when set  at12 o’clock presents no offset at all, going anti clockwise it presents more and more negative offset and going clockwise it presents more and more positive offset.\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48111378268374,"sku":"DE-31-GATS","price":159.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/Djupviks-de31-gats-1-1024x1024.png?v=1776244174"},{"product_id":"de-bunker-archeology-ii-eurorack-module-vinyl-lp-bundle","title":"DE - BUNKER ARCHEOLOGY II Eurorack Module \u0026 Vinyl LP Bundle","description":"\u003cp\u003e\u003cstrong\u003eLimited Release Eurorack \u0026amp; Vinyl LP by Senza Testa\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eThe Bunker Archeology MkII has an improved response of static using a knob or CV and more control over feedback vs it's MkI counterpart.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cstrong\u003eNOTE: The following description is from the original DE-2 Bunker Archeology\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eBunker Archeology is a 12HP Eurorack module and the world’s first ”bunker simulator”. The module is composed by two different sections: an overdriven digital reverb “tank” as well as frequency driven tremolo\/VCA. The module is normalized so the incoming signal is first sent to the reverb and then to the static (tremolo) circuit. The latter can also be used as a crude (albeit backwards) VCA. However one can easily self patch the module so the signal goes the other way around by inserting an incoming signal to the “Static in” and patching “Output” to “Bunker In”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eUsing “Bunker Input” you can attenuate the incoming signal, this is helpful since the reverb tank is pushed to its very limits. Depending on how you attenuate the incoming signal (also of course depending on how “hot” the incoming signal is, digital oscillators for instance tend to be a lot hotter) the module will behave differently, not just in regards of distortion. You can regard the whole circuit as a bastardized envelope follower of sorts (that being said placing a VCA before the input is usually a fun idea, or any modulation of frequency really). When the modulation switch is switched on (ie. Downwards) it causes the reverb tank to gradually shut down (or attacking itself), shorting out the tank using a LDR and a LED. This creates interference and noise which is sent to the static circuit. It can be used for drones (shaped with the acoustics knob) or percussive sounds. The modulation knob lets you dial in the amount and character of that sound and how much of the tank that should be shorted. This knob also has CV control (expecting 0 to 5V and ignoring negative voltages).\u003c\/p\u003e\n\u003cp\u003eThe “Acoustics” knob lets you change the overall acoustics of the bunker which in turn effects how static behaves . Since the static circuit is frequency driven, altering the frequency changes the overall behaviour of the static circuits speed and\/or stuttering. Feedback is the amount of signal being fed back into the reverb tank. “Reverb Out” is a dedicated output for the reverb section and can be used for mixing downstream in your rack for those times you don’t want the static interference, just a grainy lo-fi reverb). You can of course also use an external mixer to combine the two outputs. Plugging in a cable into the “Reverb Out” will not stop sending the reverb signal to the static circuit.\u003c\/p\u003e\n\u003cp\u003e“Static in” is a dedicated input for the static circuit. Plugging in a cable here will remove the reverb from the static circuit completely (but still present at the reverb out, as described above). The “Divisions” switch determines the overall speed of the static circuit. There are three different options. The CV input on the static side of the module lets you replace the frequency driven tremolo with a positive CV. Remember that this works as a backwards VCA, ie. shutting the signal up when voltage goes high and leaving it audible when voltage is low. It expects a 0- 5V incoming signal and might not track your incoming envelope perfectly but it does its job! The CV knob lets you either dial in the tremolo amount (when no cable is inserted into “CV”) or attenuates the incoming CV signal. At about 11-12 a clock using the tremolo it should chop the sound up in and makes it grainy. Feeding this CV input an audiorate signal creates bell like tones (similar to a ring modulator) or bitcrushing sounds depending on the division setting and the modulating waveform. This is made possible by using a lighting fast transistor based optocoupler rather than the much more sluggish, standard LDR\/LED or vactrol configuration. The “Output” is the end station of the module, when nothing is plugged into “Static In” it contains the reverb and the static circuit in series, when the input to the static circuit is used it just contains the static out. Which means you can use either half of this module if you want, or both, or use the reverb to effect one sound and the static a different sound in patch.\u003c\/p\u003e\n\u003cp\u003eThe input attenuator, the acoustic knob, feedback, modulation and static CV amount are all meant to play around with, there are usually several sweet spots here, but remember it is also affected by your incoming signal. Try different incoming signals, and see what you like (VCA’s and filters are usually a good idea too to alter the signal before it hits the bunker). It is also possible and encouraged to use this module without any incoming signal, just turn the modulation switch and introduce noise\/drones to the static circuit. Use acoustics and feedback to shape it. Use a 0-5v incoming CV signal to effect the LED\/LDR and making different sounds and volume (usually a lower setting on the CV pot here causes bigger changes when using incoming CV). Plug in a steady, or polyrhythmic clock into the static CV in. What do you hear?\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48174221263062,"sku":"DE-BA-MKII","price":499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/Bunker_Archeology.png?v=1780467805"}],"url":"https:\/\/hylindevices.com.au\/collections\/new-arrivals.oembed","provider":"HYLIN Devices","version":"1.0","type":"link"}