{"title":"Filter","description":"","products":[{"product_id":"endgranb","title":"Grand Terminal","description":"\u003cp\u003eDual 8 mode VCF \/ VCA, dual voltage controlled AD\/AR\/looping envelope, 16 algorithm stereo FX processor\u003c\/p\u003e","brand":"Endorphin.es","offers":[{"title":"Black","offer_id":31133853286446,"sku":"ENDgran","price":599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/products\/GT_B.png?v=1669038999"},{"product_id":"squawk-dirty-to-me","title":"Squawk Dirty To Me","description":"\u003cp\u003e8 mode zero-delay feedback stereo vcf with meta cv scan\u003c\/p\u003e","brand":"Endorphin.es","offers":[{"title":"Default Title","offer_id":31158056976430,"sku":"END-Squ","price":329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/products\/SD_B.png?v=1669043365"},{"product_id":"qpas-by-make-noise-co","title":"QPAS (Demo)","description":"The Quad Peak Animation System music synthesizer module combines the auditory enveloping of stereo spaced peaks with the animation of two or more peaks in a single channel dancing around each other or engaging in primitive vocalizations. QPAS is Quad Core, containing four identical state variable filter cores with a control system powerful enough to guide them in stereo multi-peak operation, but simple enough to encourage system integration rather than domination.\u003cp\u003e\u003c\/p\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":31192203984942,"sku":"MN-QPA","price":649.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/products\/qpas_cropped.png?v=1669178015"},{"product_id":"worng-electronics-lrmsmslr-mid-side-encoder-decoder","title":"LRMSMSLR","description":"\u003cp class=\"body\"\u003eMid\/Side Encoder-Decoder\u003cbr\u003e\u003cbr\u003eThe LRMSMSLR brings the power of mid\/side processing to the world of Eurorack. Mid\/side processing is a powerful tool often utilised in mastering studios; it takes a stereo signal and separates it into the mid and side elements, allowing you to independently process them and then recombine them into a stereo signal.\u003cbr\u003e\u003cbr\u003eUsed creatively this allows a sound designer to do anything from using two filters with differing responses on a stereo signal without having to perfectly match them for a balanced stereo response, to using a VCA to modulate the stereo width at audio rates to add harmonics to a stereo signal, to techniques which haven’t even been invented yet. The inputs and outputs are DC coupled so the LRMSMSLR can be used to get a sum and difference from two CV signals to create complex dynamic CV signals from simple LFOs and envelopes.\u003c\/p\u003e","brand":"Worng Electronics","offers":[{"title":"Default Title","offer_id":32445837738030,"sku":"MOD_LRMS","price":169.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/products\/Worng_LRMSMSLR_cropped.png?v=1670236794"},{"product_id":"fumana-dual-16-bands-spectral-editor","title":"Fumana - Dual 16 Bands Spectral Editor","description":"\u003cp\u003eThe FUMANA is an all-analog dual filter bank with various control to access dynamically these bands. Each filter bank is composed of an array of 16 independent 48\u003csup\u003edB\u003c\/sup\u003e\/\u003csub\u003eoct\u003c\/sub\u003e\u003cspan\u003e \u003c\/span\u003ebandpass filters. Having two identical filter arrays, allows you to use one of those for spectral analysis (of a modulator signal) and the other for spectral re-synthesis (of the main signal). Each array is sub-grouped in odd and even bands (numbering these increasingly from 1 to 16 from left to right). It is possible to apply different signals to odd and even bands, both for main and\/or modulator arrays. This, together with the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e16 envelope followers\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003econnected to each band of the modulator filterbank, and the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e16 VCA\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003econnected to each band of the main filterbank, allows the FUMANA to perform a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003esingle 16 bands\u003c\/strong\u003e or a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003edual 8 bands analog spectral transfer\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eWhile the upper section provides access to each main filter’s direct output, the lower section has 4 voltage controllable parameters to manage two independent functions for further spectral editing: tilt and parametric scan.\u003c\/p\u003e\n\u003cp\u003eThe tilt control, as the name suggests, tilts the spectrum, adding and subtracting amplitude to the 16 bands, emphasizing lower or high bands, and attenuating high or lower bands: this is managed only with the green potentiometer.\u003c\/p\u003e\n\u003cp\u003eThe parametric scan, instead, works with three parameters: peak\/notch, band selector and width. Like in a parametric equalizer, where is possible to set peak\/notch gain, frequency, and slope, the FUMANA uses three parameters to set which is the center band to perform this manipulation, then if that band should be emphasized or attenuated, and how this action is extended to nearby bands.\u003c\/p\u003e\n\u003cp\u003eIn addition to the 16 bandpass outputs, there are other 4 outputs provided: the all bands output, the all envelope followers output, the odd and even bands’ output. These two have the options to be inverted in phase with two switches, in order to obtain even more combination when summed together, maybe\/also with the “all bands output”, using, for example, the 333 module.\u003c\/p\u003e\n\u003cp\u003eSince a spectral transfer tool may be used as a “vocoder-like-effect”, the FUMANA provides an input for an external noise which may be used for unvoiced (fricative\/sibilants) sounds as words containing or starting with s, f, z, ch and other fricative sounds ([s] [z] [ʃ] [tʃ] [dʒ] [ts] [ʂ] [f] [v] [ɸ] [θ] [ʒ] etc).\u003c\/p\u003e","brand":"Frap Tools","offers":[{"title":"Default Title","offer_id":32533117796398,"sku":"FRTFUD","price":1899.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/products\/FUMANA_cropped.png?v=1669199015"},{"product_id":"xaoc-devices-belgrad-dual-peak-multimode-state-variable-filter","title":"BELGRAD (Demo)","description":"\u003cp\u003eBelgrad is our first all-analog voltage controlled filter module which—on par with our other modules—brings something new to the table. While it can be used as a traditional VCF for “academic” subtractive synthesis, we guarantee countless hours of exciting timbral explorations thanks to its unique character, flexibility, and features. The most prominent feature is that it offers a multitude of frequency responses with two resonant peaks.\u003c\/p\u003e\n\u003cp\u003eFor detailed description, please refer to \u003ca href=\"http:\/\/xaocdevices.com\/manuals\/xaoc_belgrad_manual.pdf\"\u003emanual\u003c\/a\u003e\u003c\/p\u003e","brand":"Xaoc Devices","offers":[{"title":"Default Title","offer_id":40091839791282,"sku":"X-BEL","price":529.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/products\/belgrad_mockup_mg.png?v=1670553232"},{"product_id":"jolin-goblet-optocoupler-filther","title":"GOBLET - Optocoupler Filther","description":"\u003cp\u003eGOBLET is an analog filter and distortion unit with some added quirks and extra controls.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhy\u003cbr data-mce-fragment=\"1\"\u003e• To make stuff sound filthy.\u003cbr data-mce-fragment=\"1\"\u003e• To shape the output of an oscillator.\u003cbr data-mce-fragment=\"1\"\u003e• To live interact with the sound during a performance.\u003cbr data-mce-fragment=\"1\"\u003e• To soft sweep the cutoff thanks to the optocouplers logarithmic response.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith\u003cbr data-mce-fragment=\"1\"\u003e• Simple waves – make them unrecognizable.\u003cbr data-mce-fragment=\"1\"\u003e• Complex waves – shape them into something new.\u003cbr data-mce-fragment=\"1\"\u003e• Percussions – crank the resonance and give an acid twist to a beat.\u003cbr data-mce-fragment=\"1\"\u003e• No input – play with the feedback and the touch controls.\u003c\/p\u003e","brand":"Jolin","offers":[{"title":"Default Title","offer_id":43314433720534,"sku":"J-Goblet","price":265.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/products\/goblet_front_cropped.png?v=1669779102"},{"product_id":"jolin-agogo-octal-lpg","title":"AGOGO Octal LPG","description":"\u003cp\u003eAGOGO is an octal analogue vactrol-based low pass gate and mixer in a cascade configuration.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEach one of its input, CV and output is normalized and buffered to the next one:\u003cbr data-mce-fragment=\"1\"\u003eit can be used as a multiplier and a mixer for both audio and CV.\u003c\/p\u003e","brand":"Jolin","offers":[{"title":"Default Title","offer_id":43314531795158,"sku":"J-AGOGO","price":489.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/products\/agogo_front_cropped.png?v=1669779604"},{"product_id":"worng-midside-thru-zero-stereo-processor","title":"MidSide+","description":"Thru-Zero Stereo Processor\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"body\" data-mce-fragment=\"1\"\u003eMidSide+ is an advancement of the LRMSMSLR MidSide stereo processor, offering all the functionality of the original as well as an advanced voltage-controlled through-zero width processor and a switchable HPF on the side signal. This gives you not only advanced control of the width of your stereo signals, but also the ability to create new stereo signals from mono using MS processing and then use CV to control the width of the resulting signal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe addition of a VCA on the Mid return and a 4 Quadrant Multiplier on the Side gives you complete control of the width from Mono, through Stereo and on to Super-wide Stereo, as well as being able to reverse the stereo image and then go on to Super-wide Reverse Stereo. All processing is 100% analogue and responds at audio rate, allowing you to create thick stereo sideband signals when using an audio-rate modulation source like a VCO. The switchable HPF has minimal phase shift in the pass band and ensures mono compatibility in the low end by removing any out of phase low frequency material from your signal when engaged, letting you get as wild as you want in the stereo field.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLike all WORNG Electronics modules the interface is ergonomically designed and doesn't skimp on attenuvertors for modulation inputs.\u003c\/p\u003e","brand":"Worng Electronics","offers":[{"title":"Default Title","offer_id":43417891864790,"sku":"MOD-MIDSIDEPLUS","price":329.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/products\/Worng_MidSide__web_cropped.png?v=1670236859"},{"product_id":"zzzorb-four-pole-multimode-filter","title":"Zzzorb","description":"Zzzorb is a four-pole multimode filter plus a linear VCA!\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eZzzorb's filter core comprises a cascade of four VCA-based integrators with a feedback path for resonance control. The integrators are mixed together in different combinations to provide five simultaneous filter outputs.\n\u003cp\u003e \u003c\/p\u003e","brand":"Alright Devices","offers":[{"title":"Default Title","offer_id":43830827450582,"sku":"AD-ZZZORB","price":379.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/products\/zzzorb-cropped_ed785fba-086c-479c-9a6c-6866fdd49588.png?v=1670295486"},{"product_id":"cunsa","title":"Cunsa Quad Multi-Mode Filter","description":"CUNSA is a quadruple analog pingable multimode resonant filter, saturator, mixer, and oscillator.\n\nIt is our sound seasoning tool: it can gently even a patch, applying a final touch, or it can set it on fire with a ridiculous amount of spice. It’s up to you and your cooking style!\n\nIt consists of four multimode resonant filters with a custom saturation and feedback control that you can use independently or in various combinations and roles thanks to a series of seminormalizations.\u003cp\u003e\u003c\/p\u003e","brand":"Frap Tools","offers":[{"title":"Default Title","offer_id":44205764968662,"sku":"Frap_Cunsa","price":1779.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/CUNSA_2160.png?v=1684304524"},{"product_id":"spectraphon","title":"Spectraphon","description":"The Make Noise\/soundhack Spectraphon is a dual Spectral Oscillator coded by Tom Erbe of soundhack. It uses real-time spectral analysis and resynthesis to create new sounds from those that already exist. It is inspired by classic electronic musical instruments of the past, including spectral processors, additive synthesis, vocoders, and resonators especially the Buchla 296 and Touché, but it takes a physical form more resembling the classic analog dual complex oscillator in the lineage of the Buchla 259 and the Make Noise DPO.\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Make Noise Co.","offers":[{"title":"Default Title","offer_id":44210511773910,"sku":"MN_Spec","price":979.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/spectraphon-black-may10-3300x3300.png?v=1684536326"},{"product_id":"de-9-box-of-angels-panel-pcb-set","title":"DE-9 BOX OF ANGELS Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBox of Angels is a three stage bandpass filter\/bandpass-gate with integrated noise source in 12HP. Box of Angels can be used as three serial filters, a bandpass gate\/crude VCA, and as a separate gritty noise source. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe noise source is normalled to the module input, which means that Box of Angels can be a sound source on its own. There is also a dedicated noise output if you want to use the noise with other modules in your rack. Each filter has its own Amplitude control with CV input and attenuator, as well as controls for filter frequency and resonance. Turing up the resonance on the filters and sending CV to each amplitude allows for some interesting evolving tones without the need for external input.\u003c\/span\u003e\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48076308873430,"sku":"DE-9-BOA","price":145.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/Djupviks-box-of-angels.png?v=1776167762"},{"product_id":"de-19-mouth-panel-pcb-set","title":"DE-19 MOUTH Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMOUTH is a 2-channel true stereo fixed resonance\/bandpass filter\/vowel filter and\/or anti-wah module. the module design uses a unique CV circuit using several infra-red optocouplers which makes it very suitable for audio range\/fast CV., and Mouth can also use regular, slow, CV with ease.\u003c\/p\u003e\n\u003cp\u003eThe audio and CV inputs for channel one are normalled to channel two making it easy to create a stereo signal using a mono input. There is an invert switch which flips the incoming cv from channel one on its head to create wide evolving stereo soundscapes.\u003c\/p\u003e\n\u003cp\u003eThe middle knob controls frequency offset, and there are also two attenuator knobs above for the incoming CV signals. Mouth features individual outputs for each channel and also a mix out for blending signals, this allows the module to mix two completely different sound sources post filtering.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48076459344086,"sku":"DE-19-MTH","price":119.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/CUTOUT_-_Djupviks-DE-19-mouth-19.png?v=1776157255"},{"product_id":"de-10-health-panel-pcb-set","title":"DE-10 HEALTH Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHealth is a 12HP clock generator, “wave shaper” and dedicated (clocked) sound source. The input accepts both audio and clock signals. There are 3 knob controls to regulate the internal clock through a NAND gate, and a dedicated clock output for the internal clock.\u003c\/p\u003e\n\u003cp\u003eThe module has 4 knob controls for regulating the pitch for each step as well as a knob for the master pitch. Three toggle switches are used to create new patterns and the middle switch also selects division of the clock out jack (when using the internal clock).\u003c\/p\u003e\n\u003cp\u003eHealth also features a filter; low pass to the right, high pass to the left to tweak the sound even further.\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48107005051094,"sku":"DE-10-HLT","price":139.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/CUTOUT_de-10-health-new.png?v=1776244663"},{"product_id":"de-27-morser-panel-pcb-set","title":"DE-27 MÖRSER Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMörser is a 12HP stereo filter with shared frequency control (but separate resonance controls) for both channels. Each channel also has a dedicated distortion unit which, via a switch, lets you decide which output you want to have distorted (highpass, bandpass or lowpass). The distortion is heavy and thick just like one would expect from a DE module and there is no blend knob. It’s always 100% on. There are dedicated (non distorted) outputs for both lowpass and bandpass on each channel.\u003c\/p\u003e\n\u003cp\u003eOn the input side there are separate inputs on both channels with a gain knob for adjusting the incoming signal strength, this is not to be underestimated since the incoming signal strength strongly dictates how this circuit behaves. It’s highly recommended to experiment with the input knobs and play around with the loudness of the incoming signal a lot, no matter what outputs you are using.\u003c\/p\u003e\n\u003cp\u003eIn the middle of the module there’s a digital noise unit which is clocked. The tempo of this internal clock has been modded from the original version (see below) and is regulated via a potentiometer which goes from fast to clicks and cuts territory or “morse code” bursts. There is a dedicated noise output for using this noise with the rest of your system and other modules. The noise out is normalled to BOTH the cv input and the audio in on both sides making Mörser an awesome sound source on its own – capable of making rainforest sounds, morse code and sci-fi landscapes without any input signals. The left input is also normalled to the right input so you can create a stereo filtered signal with just one sound source. Morser is a first in a line of filthy filters named after 90’s Bremen hardcore bands.\u003c\/p\u003e\n\u003cp\u003e[\u003cem\u003eAcknowledgements from Djupviks: This design draws heavy inspiration from the original WASP filter1 launched in 1978 so credit to EDP for that one. Inspiration was also taken from pretty much all available clones out there (CGS, Doepfer, Juergen Haible even Behringer!) The result leans towards the dirtiest, most unstable version of a wasp style filter, borrowing inspiration from all of the aforementioned while adding some Djupviks flavour as well. Ken Stone (CGS) “designed” the noise circuit (CGS39) but doesn’t want any credit or mentioning for it, I offer it here anyways since I owe Ken a lot for his amazing designs and help during my DIY years. Without him Djupviks would never have existed\u003c\/em\u003e.]\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48107284005078,"sku":"DE-27-MRSR","price":159.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/MORSER.png?v=1776167065"},{"product_id":"de-26-systral-panel-pcb-set","title":"DE-26 SYSTRAL Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSystral is a 12HP Stereo Filter with shared frequency control (but separate resonance controls) for both channels. It also includes gain pots for adjusting the incoming signals strength per channel. The input gain controls are not to be underestimated as the signals strength strongly dictates pretty how the filter circuit behaves.\u003c\/p\u003e\n\u003cp\u003eThe filter circuit is based on the Korg MS-20 filter but the vision here was to break it down to make it as dirty as possible. Unstable resonance through red LEDs, and an analog noise source normalled to the CV input are part of the efforts to achieve this. The CV noise is also audible by turning up the resonance which is by design (and the noise is not like in mörser) normaled to the audio path since this sounded so great on its own.\u003c\/p\u003e\n\u003cp\u003eThere is a dedicated noise output for making this part available to the rest of your system and other modules, making Systral an awesome sound source on its own being capable of making windy sounds, lasers, and sci-fi landscapes without any input signals at all (as long as you crank the resonance).\u003c\/p\u003e\n\u003cp\u003eThere is a shared blend control for mixing between low and high pass filter types for exploring the places between the two. The left input is also normalled to the right input so you can create a stereo filtered\u003cbr\u003esignal with just one sound source. Systral is the second release out of (more) filthy filters named after 90’s Bremen hardcore bands, the first one was Mörser (also released in 2025).\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48107662180566,"sku":"DE-26-STRL","price":159.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/Djupviks-de-26-systral-new.png?v=1776244626"},{"product_id":"de-20-clot-panel-pcb-set","title":"DE-20 CLOT Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe design of CLOT is based on an original idea by Jan Hall, firstl published in Electronotes EN 92 page 14-15 then refined and published as a manufactured PCB by Ken Stone as the “Bi-N-Tic” filter . Ken Stone kindly gave permission to use his design as a starting point for this module.\u003c\/p\u003e\n\u003cp\u003eDjupviks have twisted the original circuits and transformed them into a misbehaving monster! The core principle is the same: an internal (or external) VCO drives two analog switches which bounce between two banks of eight capacitors. In the original layouts the capacitors are all the same value, but using completely different values is what makes this “filter” get more unusual. Djupviks have also added switches for regulating the tempo and offset filter frequency pots and some logic.\u003c\/p\u003e\n\u003cp\u003eThe filter sections has the usual controls of frequency and Q\/resonance (or damp). Another update from the original design is that there are now 2 x independent controls for filter frequency instead of one, allowing for the creation of even more chaotic sounds when these controls are offset from each other. Ken writes: “Not all combinations of these two are actually valid, some resulting in silence, but none the less, quite an array of variations is possible” this is even more true with CLOT.\u003c\/p\u003e\n\u003cp\u003eOn the left side of the module is an input for an external VCO to override the internal oscillator. This is largely to drive the clock of this filter with a more precise 1v\/per octave oscillator (Like the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.thonk.co.uk\/shop\/bristol-bloodhound-mk-ii-panel-pcb\/\"\u003eDual Bristol Bloodhound\u003c\/a\u003e) which works well when sequenced to create interesting effects like flanging sounds etc. with the filter. Below this are 2 x inputs for sound sources, the bottom one has an attenuator connected to it and the pulses from the analog switches are normalled (through some logic) into this input for pinging action or accentuation of the “tempo” of the filter. The associated knob lets you dial in how much of that you want present. Of course this can also be used to mix a second incoming signal into the filter and control the volume of the input.\u003c\/p\u003e\n\u003cp\u003eIn the middle you have the 3 switches alternating the tempo, ie – what pulses from the analog switches are sent to the switching capacitors. These are (just like on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.thonk.co.uk\/shop\/de-10-health-panel-pcb\/\"\u003eHEALTH\u003c\/a\u003e) labeled “Rhythms” because usually this creates different rhythms also present at the clock output.\u003c\/p\u003e\n\u003cp\u003eOn the right of the module there’s an onboard clock oscillator with CV control, the knob attached to the cv input is the tempo (with no signal plugged into the cv input) with a cv inserted it acts as an attenuator for the incoming signal. The jack below labelled “Clock” is an output with some AND-gate logic attached to it. At very high speeds you’ll have a droning square wave oscillator present here, while at lower speeds you can use this output to clock other modules. The main filter output is at the bottom right of the module.\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48107668799702,"sku":"DE-20-CLOT","price":139.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/Djupviks-Clot.png?v=1776244509"},{"product_id":"de-24-spektrum-panel-pcb-set","title":"DE-24 SPEKTRUM Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSpektrum is a 16HP switched capacitor filter with resonance control and a completely unique stereo circuit. Unlike other switched capacitor filters (like Clot) Spektrum is not driven with an onboard oscillator. It instead takes an input signal and uses it as a clock to switch the capacitors within the filter.\u003c\/p\u003e\n\u003cp\u003eEach filter channel has frequency and resonance controls as well as 3 inputs: the main audio input (also used as clocking input), an optional secondary external clock input, and a secondary attenuated input for mixing in another audio signal. Input for audio\/clock is normalled from channel 1 to channel 2. In the middle there is an AND logic output for both channels clocks, and a mix output if you want to use both channels but in mono. The logic gate output is also normalled to the attenuated input which works nicely for pinging the filter.\u003c\/p\u003e\n\u003cp\u003eNext to each channel output there are 3 switches for dividing the incoming clock in different ways. Both channels have different cap values and divisions to make the outputs (in some settings) alternate between rhythms and patterns between left and right.\u003c\/p\u003e\n\u003cp\u003eSo in short, inserting a signal into the input creates sequences, rhythmic patterns and basslines depending on settings on the module but also depending on the input (as an experiment use the wave multiple out signal from Bristol Bloodhound and multiply the waveform while inserted into Spektrum. It will behave differently while scanning the incoming signal). Sweeping the incoming waveform, filtering it or running it through a reverb before spektrum will most likely create very interesting and varying results.\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48108283134166,"sku":"DE-24-SPKT","price":149.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/Djupviks-de24-spektrum.png?v=1776243742"},{"product_id":"de-31-gats-panel-pcb-set","title":"DE-31 GATS Panel \u0026 PCB set","description":"\u003cp\u003e\u003cstrong\u003eNote: This is a Panel \u0026amp; PCB set only\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGATS is a 12hp grainy reverb and filter with sample and hold control. With nothing plugged into the sample and hold input, the circuit uses the audio signal as its source, while plugging something into sample \u0026amp; hold input will override this. There is also a direct sample \u0026amp; hold output which you can use regardless of what source is being used. This makes it possible to use the module as a standalone sample \u0026amp; hold if desired without using the filter or the reverb.\u003c\/p\u003e\n\u003cp\u003eThe input signal first hits the reverb circuit and there is a switch for the reverb to be fully wet or a 50-50 blend of dry\/wet. The signal then goes through the filter and the CV knob controls how much of the sample \u0026amp; hold will affect the filter frequency. The filter has both a frequency control and resonance (q) control and is a modified version of the bandpass filter in the legendary WASP synthesizer.\u003c\/p\u003e\n\u003cp\u003eThe sample \u0026amp; hold has an onboard clock which can be overridden by plugging in a clock into the Gate input. The feedback switch lets you chose between either pre or post filter feedback which both have their own flavour. Post filter feedback will be influenced by the filter modulation and position of the filter knobs.\u003c\/p\u003e\n\u003cp\u003eLastly there is an offset knob for the S\u0026amp;H output which when set  at12 o’clock presents no offset at all, going anti clockwise it presents more and more negative offset and going clockwise it presents more and more positive offset.\u003c\/p\u003e","brand":"Djupviks Elektronik","offers":[{"title":"Default Title","offer_id":48111378268374,"sku":"DE-31-GATS","price":159.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/Djupviks-de31-gats-1-1024x1024.png?v=1776244174"},{"product_id":"t-wrex-zzzorb-bundle","title":"AKA a Pretty Alright Device Bundle","description":"\u003cp\u003e\u003cstrong\u003eIncludes both T-Wrex and Zzzorb modules by Alright Devices\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT-Wrex is an analog bitcrusher and decimator!\u003cbr\u003e\u003cbr\u003eT-Wrex has two separate sections: STOMP is a bitcrusher and CHOMP is a decimator. You can sweep each effect from imperceptible all the way to rumbly, growling sonic debris. Use each section's voltage-controllable dry\/wet circuit to find the perfect balance of harmony and havoc!\u003cbr\u003eAt the core of each section is a high-speed, low-leakage analog sample \u0026amp; hold circuit. The bitcrusher's SYNC input is ORed with its internal s\u0026amp;h trigger which steps the output voltage. Mult IN to SYNC to force a static waveform, or use another VCO for the bitcrusher equivalent of hardsync!\u003cbr\u003eThe decimator's internal analog VCO controls its sample rate, but you can override it by patching your own signal to the SAMPLE input. Use complex waveforms to flavor your decimation (spicy!), or even use subaudio-rate signals for a traditional helping of sample \u0026amp; hold!\u003cbr\u003eT-Wrex provides an attenuverter on each CV input for your patching convenience. Crank the CHOMP attenuverter fully counterclockwise to make the decimator's internal VCO track its CV at 1V\/octave!\u003c\/p\u003e\n\u003cp\u003eZzzorb is a four-pole multimode filter plus a linear VCA!\u003cbr\u003e\u003cbr\u003eZzzorb's filter core comprises a cascade of four VCA-based integrators with a feedback path for resonance control. The integrators are mixed together in different combinations to provide five simultaneous filter outputs.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Alright Devices","offers":[{"title":"Default Title","offer_id":48258925199574,"sku":"AD-BNDL","price":769.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/products\/T-Wrex-Cropped.png?v=1670295984"},{"product_id":"ms507-dual-envelope-vca-copy","title":"MS217 Diode VCF","description":"\u003cdiv\u003e24db VCS3\/SH5 style Diode Ladder Filter\u003c\/div\u003e\n\u003cdiv\u003eDual Inputs with volume attenuators\u003c\/div\u003e\n\u003cdiv\u003eDual CV inputs with attenuators\u003c\/div\u003e\n\u003cdiv\u003eCV control over Resonance with attenuator\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eIndependant VCA with CV control (CV2 for the VCF is normalled to VCA CV IN)\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eFor further information and any questions, feel free to contact Matt on\u003c\/em\u003e \u003ca href=\"mailto:wywsmd@gmail.com\" target=\"_blank\"\u003ewywsmd@gmail.com\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"WYWS","offers":[{"title":"Default Title","offer_id":48299057578198,"sku":"WYWS-217","price":270.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0052\/8685\/4702\/files\/IMG_7082_1.png?v=1780402796"}],"url":"https:\/\/hylindevices.com.au\/collections\/filter.oembed","provider":"HYLIN Devices","version":"1.0","type":"link"}